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- <text id=89TT2111>
- <title>
- Aug. 14, 1989: Water Bomb
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- Aug. 14, 1989 The Hostage Agony
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CINEMA, Page 79
- Water Bomb
- </hdr><body>
- <qt> <l>THE ABYSS</l>
- <l>Directed and Written by James Cameron</l>
- </qt>
- <p> Water is not the director's friend. Actors immersed in it
- do not have many opportunities for sharp repartee. It provides
- no cover for the villain to sneak up on the hero. It turns
- action sequences into exercises in slow motion. It is costly to
- work in and obscures expensive and imaginative special-effects
- work.
- </p>
- <p> All of this having been made obvious by dozens of
- subaqueous movies, one has to wonder why James Cameron, whose
- Aliens and The Terminator were among the smartest and most
- frugally made recent entertainments, plunged into the $50
- million-plus Abyss. Or, if he was sending his cast on a dive
- into a bottomless ocean trough, why he didn't at least arrange
- to have a monster paddle up to meet them.
- </p>
- <p> The situation seems promising. A nuclear submarine has a
- mysterious accident at the edge of an ocean canyon, and the
- only hope for rescue is the crew of a futuristic underwater
- oil-drilling rig working nearby. The rig's designer (Mary
- Elizabeth Mastrantonio), who is the estranged wife of its master
- (Ed Harris), drops down to help and bicker. So does a Navy
- diving team whose leader (Michael Biehn) suffers a psychotic
- break caused by the great depths. He becomes particularly
- obstreperous after he recovers a warhead from the wreck.
- </p>
- <p> A good thing, too, because he is the only menace around --
- not nearly enough to sustain this endless tale. As it turns out,
- there is nothing else in the deep except some benign escapees
- from Steven Spielberg country. Harris and Mastrantonio do have
- a strong death and resurrection sequence, but long before that,
- one is pining for a rubber shark or a plastic octopus --
- anything, in fact, out of a good old low-tech thriller.
- </p>
-
- </body></article>
- </text>
-
-